Soon, the plain ribbons were adorned with small cameos and other ornamentation.Įuropean choker necklaces gained a salacious reputation in the 19th century when prostitutes were associated with black ribbons tied around the neck, such as the model in Édouard Manet’s Olympia (1863). Women wore ribbons around their throats to mark the passing of those killed by the guillotine. They endured as a popular form of adornment through the centuries, and during the French Revolution they took on a symbolic significance. The history of the choker can be traced back thousands of years, with Sumerian examples discovered from 2600–2500 B.C. Whether it is a statement piece or a delicate chain, these short necklaces always stand out and turn heads. Cameos, pearls, diamonds and other stones can decorate these necklaces, which come in single or multiple strands. Vintage choker necklaces are elegant, alluring and stylish. Finding the Right choker-necklaces for You But she will always be the grande dame of British design.įind an extraordinary range of vintage Vivienne Westwood handbags, shoes, evening dresses and other items today on 1stDibs. Today, the fires of political and environmental activism burn brightly for Westwood: She is a Greenpeace ambassador, having designed the organization’s official “Save the Arctic” logo her clothing brand is committed to using recycled canvas and other eco-friendly materials in the production process and in 2020, she protested the extradition of Julian Assange by suspending herself in a bird cage outside London’s Old Bailey court. She’s dressed Kate Moss and Helena Bonham Carter, and a wedding dress that she created is featured in 2008’s Sex and the City film. The self-taught Westwood enjoyed a rapid ascent in fashion, with British society embracing her looks and Vogue immortalizing them in its glossy pages. The Pirate collection’s enduring influence on the world of fashion as well as the theatrical work of designers such as John Galliano and Alexander McQueen is undeniable. The collection’s ample proportions and cutting-edge tailoring countered punk’s geometry and tight latex fits as well as what rocker Adam Ant called the “Puritanism” that plagued England at the time. In 1981, the couple’s first fashion show marked the debut of their Pirate collection - a swashbuckler-themed line that sprang from Westwood’s research into Indigenous Americans and the “power garments” of the Louis XIV era. Westwood was soon dressing the Sex Pistols, a band that McLaren managed, all the while bridging the gap between music and fashion in a manner that has reverberated throughout the industry for decades. More notably, it brought punk to the masses. The DIY garments - zippered tops, burnt tees emblazoned with anarchist messages - flew off the shelves. The shop, once called Let It Rock and then Too Fast to Live, Too Young to Die before Sex became a more appropriate moniker, evolved into a youth mecca.
Together Westwood and McLaren sold older rock-and-roll records, customized T-shirts with antiestablishment slogans, biker jackets and snug trousers inspired by the Marlon Brando film The Wild One as well as bondage fetish wear.
She repaired used clothing and endeavored to create bold new designs from scratch. Instead, she was interested in provocative, edgy apparel. The flared denim and peasant blouses of the 1960s, then still popular with the “peace and love” set, didn’t hold any weight for Westwood. Westwood and McLaren opened a vintage shop on King’s Road in London in 1971. They became involved romantically and she made clothes for him in the style of the Teddy Boys - the city’s music-crazed, occasionally violent teenagers at the time who wore high-waisted trousers and tailored velvet blazers that drew on Edwardian-era fashions.
In the early 1960s, she began to make her own jewelry and met an artist, activist and entrepreneur named Malcolm McLaren. Westwood was born Vivienne Isabel Swire in a village in Derbyshire, in central England, but moved to London as a teen. “I don’t follow fashion,” Westwood once told the New York Times.
For someone who regularly swats away the industry that made her, audacious British fashion designer Dame Vivienne Westwood certainly knows her way around a garment.
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